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Private and Shared Taste in Art and Face Appreciation

机译:私人和共享的艺术和面孔鉴赏品味

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摘要

Whether beauty is in the eye of the beholder or shared among individuals is a longstanding question in empirical aesthetics. By decomposing the variance structure of data for facial attractiveness, it has been previously shown that beauty evaluations comprise a similar amount of private and shared taste (Hönekopp, 2006). Employing the same methods, we found that, for abstract artworks, components that vary between individuals and relate to personal taste are particularly strong. Moreover, we instructed half of our participants to disregard their own taste and judge stimuli according to the taste of others instead. Ninety-five women rated 100 abstract artworks for liking and 100 faces for attractiveness. We found that the private taste proportion was much higher in abstract artworks, accounting for 75% of taste compared to 40% in the face condition. Abstract artworks were also less affected than faces by the instruction to rate according to others’ taste and therefore less susceptible to incorporation of external beauty standards. Together, our findings support the notion that art—and especially abstract art—crystallizes private taste.
机译:美是在旁观者眼中还是在个人之间共享,这是经验美学的一个长期存在的问题。通过分解面部吸引力数据的方差结构,以前已经表明,美容评估包含相似数量的私人和共享口味(Hönekopp,2006年)。使用相同的方法,我们发现,对于抽象艺术品,在个体之间变化并与个人品味相关的成分特别强大。此外,我们指示一半的参与者忽略自己的品味,而是根据他人的品味来判断刺激。九十五名女性将100幅抽象艺术品评为喜好,将100幅面孔评为魅力。我们发现,抽象艺术品中的私人品味比例要高得多,占品味的75%,而面对面部时则为40%。根据别人的品味评分指示,抽象艺术品也没有面孔受影响,因此不易受外部美感的影响。总之,我们的发现支持以下观点:艺术(尤其是抽象艺术)体现了个人品味。

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